Asian Antiques from Burma and Thailand

February 23rd, 2011

 

It’s no secret that authentic Asian antiques are becoming increasingly difficult to locate. Older antique dealers in Thailand often reminisce about times long gone by when you could buy opium weights in kilo bags for a song and old Burmese lacquerware was stacked up to the ceiling in their shops. The popularity of Asian antiques in America and Europe over the past few decades has lead to a steady decline in supply in the region. Rare styles of opium weights, antique bronze bells, larger antique bronze sculptures and artefacts in general are all requiring a little more time and effort to track down. That being said, we have recently returned from a trip on which we acquired several impressive new items that we would like to feature.

Bronze Sculpture of the Buddha, Sukhothai, ABA25

Seated in the bhumisparsa mudra, or earth witnessing posture, this expertly cast bronze Buddha image is in the Sukhothai style, characterized by a flame-like halo, representing the Buddha’s spiritual intensity, graceful contours and attenuated earlobes. It has been gilded in 24ct gold leaf which is traditionally done in Southeast Asia as a gesture of respect and devotion. Read more…  

 

Burmese Buddhist Manuscript Box, EUO40

This superb Burmese manuscript box is made of lacquered wood and has been decorated on all panels with traditional Burmese folk art depicting scenes from the royal court as well as Burmese script. There is some superficial wear present on the outside panels but otherwise it is in excellent condition and is without repairs. The box includes four separate wood sections consisting of a base with ornately carved legs, the main box, a shelf and the decorated lid. Read more…

 

Lanna Ceramic Vase, Thailand, EUO41

From Northern Thailand, this is a lovely example of Lanna pottery. It has been beautifully decorated with a traditional flowering vine motif and is in excellent condition with no damage or repairs, though there is some crazing and accumulated sediment.  In our unique objects category we also have two lovely examples of Sukhothai ceramics in celadon green. Read more…  

 

Bronze Buddhist Sculpture, Burma, ABA24

 From Mandalay, Burma, this striking bronze sculpture of two angels supporting a temple bell is from the early 1900s. The sculpture is influenced by Buddhist tradition in Burma where the temple bell plays an important role. The angels that support the bell are beautifully cast with elaborate costumes and faces that bear a peaceful countenance. The rod from which the bell hangs is decorated with two peacock motifs. Read more…

Opium Weights, Burmese Lacquer, Sukhothai Ceramics, Bronze Bells

October 5th, 2009

New Items in the Gallery

 

Antique Burmese lacquer containers, opium weights dating from as early as the 15 th century, celadon ceramics from 15-16 th Sukhothai and antique bronze bells are among the items that we recently returned with from an overland trip to Sukhothai and Burma. Below are a few photos from the trip and of some of items that we recently listed in the gallery. Very soon we will be listing more antique bronze bells from Burma. If there are particular items from this region that visitors to the gallery are interested in that are not currently featured, please let us know and we will endeavor to find them.

 

 

 

 

Bronze Bells from Burma, Thailand, Laos and Cambodia

May 27th, 2009

Antique bronze bells have become one of the most popular items offered in our gallery. Most of our bells are from Burma, but some are from Laos, Thailand, Cambodia and India. The bells of old are generally far more beautiful than bells crafted today. They were cast in bronze and bear a range of attractive designs and often interesting inscriptions. In Burma the tradition of blacksmithing has always been an honoured occupation associated with courage, strength and integrity.

Temple bells donated to the Sangha (order of monks) are held in high esteem. They are sounded three times at the conclusion of personal devotions as an invitation to all sentient beings to share the merit accumulated by their spiritual practices. Onlookers may respond with the congratulatory refrain- thadu, thadu, thadu- well done, well done, well done. The casting of large bells is a major event which takes place with an air of great ceremony and rejoicing. Sweetness of tone is very important for the temple bell. Unlike bronze Buddha images, the bronze was normally composed of 83% copper and 17% tin. In some cases, lead or even silver was added. The smaller temple bells with clappers are often found suspended on the eves of pavilions around temples and are said to attract the attention of the deva of the Tavatimsa Heaven. The gentle tinkling ring serves as a reminder of the Buddha’s endless compassion and deep wisdom. Small temple bells are also used to signal various activities to monks and nuns including the time to rise, meditate, chant, eat and rest.

Our pastoral bells worn by cattle or buffalo are called hka-lauk in Burmese. They are normally trapezoidal or semi-circular in shape with closed rings at the top so that the bell can be suspended around the animal’s neck with a cord. The clapper is held in place with wire entering through two small holes made in the upper surface of the bell. They are often decorated with very handsome scrolling or geometric designs on the surface. When travelling, the animals would follow the sound of the bell worn by the lead animal. The sound would also warn travellers of their presence on narrow mountain passes. The bells are also said to scare off predatory animals as well as help farmers locate their animals after being set free to graze.

The spherical elephant bells known in Burma as chu are similarly decorated and would help the mahout locate his elephant after being set free to forage in the jungle. Though popularly referred to as elephant bells, we are told by our Burmese friends that these bells were also worn by other animals including ponies and oxen.

Bronze bells often have interesting inscriptions including the seal or name of the maker, information about historical towns and their economic situation, customs of the people and the orthography of the period in which the bell was cast. For example, bells may bear the names of kings, queens or members of the aristocracy as well as high ranking military officers. The value of a bell depends on age, quality of bronze and patina, decoration and condition. Each bell has its own individual physical characteristics, ring tone, and story to tell.